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But make no mistake: Live Forever also kicked out the indie jams better than just about any set this year, with the galloping “Mustang” and explosive “Boomer” giving you flashbacks to peak early National and TV on the Radio.
#THE KILLERS DISCOGRAPHY TORERENT FULL#
His debut full length pointed to the limited-by-comparison sonic palette of other 2020 alt-rock releases, with dips into hip-hop, R&B and electronic textures, and ballads that just sorta dissolve between your fingers as you listen. singer/songwriter/producer Bartees Strange.
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One of the year’s most exciting new voices in rock belonged to D.C. Fans of punk and emo will savor every last gut-ruining refrain though, as the group offers unadulterated catharsis with an eye on salvation and sweaty mosh pits. “Let me ruin my guts tonight,” goes the chorus of “Routine Pain,” opening track on Brave Faces Everyone. Spanish Love Songs’ latest misery-loves-company opus showcases singer-guitarist Dylan Slocum’s voice, trembling through darkness in search of a dawn. The 25 Best Pop Albums of 2020: Staff PicksĢ0. But that’s fine, - while the band will always be associated with the mid-’00s synth-rock reset, Imploding the Mirage feels timeless simply by sounding like classic Killers. It doesn’t take long for the Killers to return to the familiar with Imploding the Mirage‘s opening track “My Own Soul’s Warning,” as frontman Brandon Flowers’ ethereal opening quickly finds its beat through building drums, hard pounding guitars and unanswerable questions: “If you could see through the banner of the sun/ Into eternity’s eyes/ Like a vision reaching down to you/ Would you turn away?” The album that follows seems to exist outside of any one musical moment for the band, absent any particularly defining features besides being noticeably louder. Producer Gil Norton has helped the group uncover their identity, which falls somewhere between post-grunge and classic punk - a throwback, to be sure, but one that feels exciting and sounds fresh. Higher Power’s 27 Miles Underwater represents a creative breakthrough for the British hardcore band, a polishing of the aesthetic they sent out on their 2017 debut Soul Structure into a more gleefully pummeling product. The group went out of their way to work with an all-female production team to deliver tracks that sway from the in-your-face “Sports!” that starts the album (with the memorable “F–k sorry/ F–k please/ Will you so kindly start again” opening) to the tender melody of “Temporary,” which showcases lead singer Rakel Mjöll’s softer side. LYNDSEY HAVENSĪnyone who has witnessed the ferocity of Dream Wife in concert has surely lamented that the Brighton-based band released their sophomore album So When You Gonna just months before touring came to halt across the world. Something surely everyone tried to do this year.
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That’s what makes it so much fun to hear how loose and limber the grunge survivors sound on Gigaton, with the quintet going full garage-rock for the borderline-schlocky “Superblood Wolfmoon,” and frontman Eddie Vedder even channeling the nervous funk energy of David Byrne on lead single “Dance of the Clairvoyyants.” - ANDREW UNTERBERGERįor Khruangbin’s third album, the trio not only leaned into its love of disco but reimagined how it would sound in more open, airy spaces - best heard on breezy lead single “Time (You and I).” The track, which chronicles the what-ifs of having time enough at last, wasn’t the only one eerily representative of its release period the slinky and bare-boned “If There is No Question” assures “Broken, and laughing … You’re not crazy,” while the glimmering and droning “So We Won’t Forget” is about trying to hold onto a moment in time. As its heavy title sort of suggests, Pearl Jam have spent the better part of the past three decades releasing stadium alternative albums that feel somewhat monolithically massive - and at times somewhat rigid and overwhelming.